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Power Rangers TV Show, a hit series originated in 1993 on Fox Kids. The initial name of series was Mighty Morphin Power Rangers. The show has completed 16 years and 15 seasons and is still going strong. Each season introduces new characters, villains and story lines which help to make the series interesting.

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Episode: 31

First Aired: 11/3/2008

Prod Code: 1831

Nobody believes him, but Casey knows that Jarrod still lives inside of Dai Shi. He goes off on his own to save Jarrod. In an epic battle between Dai Shi and Casey, Jarrod manages to break free of Dai Shi. Camille helps the two in escaping Dai Shi. For following his heart, Casey gets his Master Stripes.

Writers:

John Tellegen

Director:

Mark Beesley

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Episode: 30

First Aired: 10/27/2008

Prod Code: 1830

The day has arrived for the three to get their master stripes. Lily and Theo pass the test to become masters. Casey does not. He wanders off to think about his loss and comes across Jarrod saving Camille from Dai Shi’s monsters. Casey begins to think that Jarrod might still be alive. The others don’t believe him and try to tell him that all that matters is destroying Dai Shi.

Writers:

Jackie Marchand

Director:

Mark Beesley

Recurring Role:

Richard Simpson (Snapper (voice))

Mark Wright (Scorch (voice))

Paul Gittins (Master Finn)

Bruce Allpress (Master Phant)

Oliver Driver (Master Swoop)

Guest Star:

Nick Kemplen (Osiris (voice))

Sarah Thomson (Lepus (voice))

Geoff Dolan (Dai Shi (voice))

John Callen (Sonimax (voice))

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Episode: 29

First Aired: 10/20/2008

Prod Code: 1829

Camille steals a cloning formula from Maryl. The monkeys will duplicate and Camille’s plan just might work. Scorch and Snapper plot to ruin her plan. They don’t like how Dai Shi favors her. Dominic tries his best to woo Maryl. Not only does she hold the answer to destroying the monkeys, but he thinks she’s pretty.

Writers:

Bruce Kalish

Director:

Luke Robinson

Recurring Role:

Paul Gittins (Shark Ranger (voice))

Mark Wright (Scorch (voice))

Jared Turner (Whiger (voice))

Richard Simpson (Snapper (voice))

Bruce Allpress (Elephant Ranger (voice))

Oliver Driver (Bat Ranger (voice))

Guest Star:

Siobhan Page (Maryl Snyder)

Darren Young (Grinder (voice))

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Episode: 28

First Aired: 10/13/2008

Prod Code: 1828

Whiger was only able to steal the Tiger Spirit from Casey, but not destroy Casey. For his failure, Dai Shi strips him of his power and he is to fade away. Casey shows his kindness to Whiger even though they were just battling. Whiger rethinks which side he should be on. He helps Casey save his friends who have been captured along with all the other people in giant rattraps!

Writers: Moni Zamazene

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Episode: 27

First Aired: 10/6/2008

Prod Code: 1827

Whiger steals some of Casey’s Tiger spirit. Pleased, Dai Shi becomes the Phantom Beast King. He makes Camille a Phantom Beast General. Evil battles it out with the rangers stronger than ever. Weakened with the loss of his spirit, Casey must summon all the energy he has left to stay alive.

Writers: John Edward

Director: Luke Robinson

Stars:

Holly Shanahan (Camille)

Bede Skinner (Jarrod/Dai Shi)

Sarah Thomson (Fran)

Nikolai Nikolaeff (Dominic Hargan, White Rhino Ranger)

David de Lautour (Robert James “RJ”, Violet Wolf Ranger)

Jason Smith (Casey Rhodes, Red Tiger Ranger)

Anna Hutchinson (Lily Chilman, Yellow Cheetah Ranger)

Aljin Abella (Theo Martin, Blue Jaguar Ranger)

Recurring Role:

Richard Simpson (Snapper (voice))

Jared Turner (Whiger (voice))

Mark Wright (Scorch (voice))

Guest Star:

Elliot Lawless (Todd)

Jonathan Mahon-Heap (Jimmy)

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Episode: 26

First Aired: 9/29/2008

Prod Code: 1826

The rangers get sucked into a cheesy game show about the past season. Camille hosts the game show and a wrong answer could result in being cancelled!

Writers:
John Tellegen

Director: Mark Beesley

Stars: Holly Shanahan (Camille)

Aljin Abella (Theo Martin, Blue Jaguar Ranger)

Anna Hutchinson (Lily Chilman, Yellow Cheetah Ranger)

Jason Smith (Casey Rhodes, Red Tiger Ranger)

Sarah Thomson (Fran)

David de Lautour (Robert James, Violet Wolf Ranger)

Holly Shanahan (Camille)

Guest Star: Scott Alexander Young (Buffalord (voice))

Charlie McDermott (Pengolin (voice))

Jason Hoyte (Cable Guy/Cheese McAlster)

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I never really watched Power Rangers Mighty Morphin but caught pieces of it before a show I watched after it so I knew about it. Imagine my surprise when I found out that the show was going on still only in different forms. So I saw the commercial for this version and decided to check it out and I liked it.

This incarnation takes place in Briarwood instead of Angel Grove which is where the majority of the previous seasons took place. Yes there is a cheese factor but I enjoy watching this show and was sorry to see it come to an end. It is funny how the characters had mouths that don’t open when they talk. Can’t they make monsters etc with mouths that actually open and close when they are supposed to be talking? I suppose that makes dubbing easier.

Once again the leader is a guy. The only time a girl has been in charge of the Rangers has been limited like in the case of the Alien Rangers and later A Squad that went evil on SPD. Why is that? Aside from that why not have a guy that’s a Pink Ranger. Those are just my thoughts on the matter.

Nick is the Red Ranger who comes to Briarwood where his life changes forever. He is played by Nick Firass. Nick comes to town and finds not only friends but family as well in the form of parents that he thought were dead as well as a cousin.

A few familiar faces or at least names turn up as people from prior seasons star in this one. Atonia Prebble plays Clare who is studying to become a full fledged Sorceress. She has starred in other versions as a guest and she also played Trudy on The Tribe. So every time she’s on something she has a different hair color from purple to brunette to blonde.

Barnie Duncan plays Toby who owns a record store where the gang works. He starred in the previous season of SPD as Piggy but this time you get to see his face. He does appear as Piggy since he must have lived in Briarwood before moving to New Tech City which is where he lives in 2025 since that show took place in the future while this one took place in the present.

Kelson Henderson plays Phineas a troblin which is a result of a troll and a goblin

getting together and having a kid. In SPD you could see his face as Boom where he played the gadgets guy. He is a total sweetie and a pretty good fighter. He is friends with the Rangers.

Angie Diaz plays Vida the Pink Ranger who ironically hates the color although at the end she seems to finally embrace it. She has a sister who is also a fellow Ranger Madison. She is played by Melanie Vallejo who is the Blue Ranger. She’s the shy sister while Vida is the more outgoing one.

Richard Brancatianno plays Xander the Green Ranger. At first he’s a more try to talk rather than fight but he becomes a really great fighter. Nic Sampson plays Chip the Yellow Ranger.

Peta Rutter plays Udonna who turns out to be Nick’s mom. She is the White Ranger and a Sorceress. Her lost lost husband turns out to be Korragg in other words Leanbo who was under a dark magic spell. I figured this out before it was revealed but that could be explained by the fact that I’m not seven.

John Tui’s face is finally seen in this version since in SPD he was Doggie Krueger a big dog. Daggeron is a cutie well as the Solaris Knight and a dear friend of Udonna. He was trapped in a cave for nineteen years which does wonders for the skin.

Of course every show has to have the bad guy so of course monsters abound in this place. The Master is the big bad who is trapped in a big pit. The minions are Hidacs who pop up to cause an annoyance. Korragg’s not the typical bad guy since he has honor and he’s a good guy under an evil spell. Necrolai is Queen of the Vampire who has a daughter named Leelee. She turns out to be a hottie when she is turned back to human. I never understood why she looked like a bat while her daughter didn’t.

So the secret is out I actually enjoyed this show. The theme song is quite catchy and better than prior ones which weren’t always big winners. I don’t know why I like the show but I do for some reason. Maybe it’s New Zealand and the fact that Xena is one of my all time favorite shows. Maybe it’s the lack of oxygen to the brain that has affected me since I was forced to move to Colorado.

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As Mike Medavoy, the former studio chief and mainstay of the Hollywood-Washington nexus, told me in July, “I think Haim has deliberately backed off.”

Why such focus on a man best known for transforming a Japanese TV series into the ’90s children’s action show Mighty Morphin’ Power Rangers? Because, in addition to being an unstoppable “bundler”—the polite term for those who are willing to wring cash out of their friends and colleagues—Saban has given more of his own money, nearly $13 million, than any other American to support candidates, political-action committees, and campaign committees since 1999, according to the Federal Election Commission. (The second-largest giver in the same period, Stephen Bing, trails Saban by more than $3 million.)

Moreover, because of Saban’s vocal support of Israel, he is seen as something of a bellwether for other influential Jewish Americans. An endorsement from Saban, a self-described “right-wing crazy” when it comes to national security, would send a loud message to others who question Obama’s determination to aggressively protect the Jewish state.  

Saban admitted he’d been worried about Obama’s commitment to Israel. But when the presumptive Democratic nominee ended his June speech to the lobbying group American Israel Public Affairs Committee by noting that Jewish Americans and African Americans had long stood “shoulder to shoulder” in periods of great social upheaval, Saban was moved.

“Him being aware of that, acknowledging that, shows that he may have a visceral commitment, as opposed to a logical or strategic one,” Saban said. “That visceral affinity was a question mark for a lot of people. Well, it’s no longer a question mark for me.”

Still, something held Saban back. He blamed “logistics,” his term for the scheduling problems that had thus far prevented him from sitting down with Obama before fully committing himself. But it was easy to wonder whether Saban’s hesitation partly stemmed from the fact that he likes to be first, to be prescient, to see what others do not. He will never be able to say of Obama, as he could of Clinton, that he was there at the beginning. Financially and emotionally, it may be impossible for him to ever be Obama’s “biggest.”

A former Clinton fundraiser remembers coming upon an agitated Saban in February 2007, just weeks before an event to be held at the Beverly Hills home of supermarket magnate Ron Burkle. Saban, who’d been working day and night to boost attendance, had corralled Jonathan Mantz, Clinton’s national finance director. “If I’m not No. 1,” he said, meaning the evening’s top fundraiser, “I’m going to cut my balls off.”

Saban raised $800,000 that night—more than anyone else.

“Son of a bitch! Another three-pointer!” Saban is kvetching at his very large flat-screen TV as we sit down for our first interview. Game 2 of the N.B.A. finals is being played on the East Coast, so we’re watching the Boston Celtics beat the Los Angeles Lakers from the family room of Saban’s 26,000-square-foot home in a gated neighborhood in Beverly Hills. Saban doesn’t have season tickets, though when the Lakers play at home, he always wheedles a floor seat.   

“I call this one, that one—’Hey, you want a date?’” he says, munching nuts served by a crisply dressed British “house manager” named Justin. Among Saban’s recent conquests: Avi Lerner, the B-movie mogul who, like Saban, grew up in Israel, and Jim Wiatt, C.E.O. of the William Morris Agency—twice. “For the three games that are coming up, I schnorred,” Saban boasts. “Tickets are $15,000 to $20,000. But I didn’t have to buy anything. Think about it: a $60,000 savings!”

When I observe that this confirms his reputation as a tough dealmaker, he feigns hurt feelings. “Tough? Look at me!” he commands. “Do you see toughness? I’m a huggable little lamb! What are you talking?” He smiles a smile more crocodilian than sheepish and reaches for my tape recorder.

“You have a man in your life?” he asks, pushing the off button.

Saban is relentless. Ask anybody.


“Indefatigable. Overwhelming. Undeterrable,” says Steve Rattner, the managing principal of Quadrangle Group, an investment firm.

“He’s constantly focusing on ‘Where am I going with this? What’s the next move?’” says Peter Chernin, chief operating officer of News Corp., who’s been on both sides of the negotiating table with Saban. “When he has something he’s trying to build, Haim is like a dog with a bone.”

A classic Hollywood story involves Gene Simmons of Kiss. In the late ’90s, as co-owner of the Fox Family Channel, Saban was developing shows for children. Simmons, the fire-breathing, blood-spitting frontman of a rock band in costumes and face paint, pitched Saban an idea for a new Saturday-morning cartoon: Kiss meets X-Men, the Marvel comics superhero team. Saban liked the concept well enough to convene a meeting with Avi Arad, then C.E.O. of Marvel’s toy division.

At the appointed time, Saban, Arad, and Simmons sat down. The meeting was going well, and the three began to haggle over numbers. Then Saban turned to Arad and, referring to Simmons, confided in Hebrew, “Now we gut him like a fish.” Without missing a beat, Simmons—who, unbeknownst to Saban, was born Chaim Witz in Haifa, Israel—replied in Hebrew, “You asshole. I’m one of you.”

When asked about this story, Simmons laughs and says he “vaguely” remembers “something along those lines.”
Saban says he has no memory of the conversation but acknowledges it “may have” taken place. “People I deal with, for the most part, are very smart people,” he adds. “I mean, sometimes I gut them like a fish, and sometimes they gut me like a fish, you know?”

In business as well as in politics, Saban plays the mensch, but his charm fails to hide an all-consuming drive to succeed. He is generous but also ruthless; aggressive yet patient enough to wait for the best moment to strike; poker-faced but at times utterly transparent; analytical and strategic with moments of startling self-contradiction.

Saban’s memories of growing up poor in Alexandria, Egypt, have prompted him to make huge gifts to Los Angeles-area educational institutions, hospitals, and free clinics, particularly those that serve children. In that way, indisputably, Saban and his wife are champions of the underprivileged.

Yet when rules designed to protect the public’s access to the Pacific Ocean interfered with his privacy at his stucco-and-stone Malibu beach house, he was quick to join his neighbors on so-called Billionaire’s Beach to seek—and win—an exemption to keep outsiders off that stretch. Philanthropist Eli Broad took the lead, Saban says, in asking the California Coastal Commission to allow them to buy an 80-foot section of beach a mile away and turn it into a public park.

Saban’s stance on social issues is liberal. He’s pro-choice, pro-nationalized health care, even pro-taxes. “Higher taxes for people like me to help others who are less fortunate—that’s okay by me,” he’ll say. But just last year, he settled with the Internal Revenue Service after admitting to using offshore tax shelters in 2001 to avoid paying at least $300 million on the $1.5 billion he pocketed when Disney bought his share of Fox Family Worldwide. In his testimony, he told Senate investigators that he had received bad advice: “You have before you a very disappointed person, who feels misled, lied to, cheated.”

Saban’s family fled Egypt for Tel Aviv during the Suez Crisis in 1956. He was 12, old enough to understand the shame his father, a toy salesman, endured as he struggled, selling pencils and erasers door-to-door. For years, Saban says, he lived with his grandmother, parents, and younger brother in one room and shared a bathroom with prostitutes and their pimp. At 15 or 16, around the time he started playing bass—”badly,” he says—in a Beatles cover band called the Lions, Saban would lie in bed and imagine being rich.

“Before I went to sleep, I’d close my eyes and think about it,” he recalls, “which for me meant I would own a car—the biggest car! American! I wanted to own a Chevrolet Impala.”

He would own that Impala, but not until after the 1973 Yom Kippur War wiped out a business he’d started that promoted concerts and managed bands. In 1975, he moved to Paris, where he got the chance to record one of his clients singing the theme song for a cartoon called Goldorak. He was miffed when he had to foot the $2,000 bill for the recording session, but later, he’d be grateful. Because he’d paid to produce it, he owned the master, so when Goldorak became a huge hit and its theme song started selling, Saban made a gigantic profit. He realized he’d found his niche.

He moved to Los Angeles in 1983. Around that time, he discovered that the music accompanying cartoons was the mother lode.

“It’s really simple to understand,” he explains. “If you watch a half-hour sitcom, you hear a little music at the beginning, a little at the end. But cartoons open with music, have music all along and music at the end. I’m still making money on those cartoons.” He pauses, then whispers, “Millions!”

He pursued his fortune with typical single-mindedness. According to the performing rights agency BMI, Saban is the composer or co-author of a staggering 3,700 musical themes, song cues, and other works. That achievement came into question in 1998, when several composers alleged that they had written much of the music for which Saban and others took credit. That year, the Hollywood Reporter launched an investigation into Saban’s music-publishing empire, stating that composers were paid by the hour to write music that Saban then claimed he had authored.

One of the composers, Ron Wasserman, said that he wrote the original Power Rangers theme as well as hundreds of hours of other music, but for years got no writing credit. It was no secret; the no-credit clause was clearly set forth in his and other writers’ contracts with Saban, Wasserman tells me. “It was paid college, that’s really what it was,” he says. The system wasn’t fair, he adds, “but had I not had that, I wouldn’t be where I am today. I certainly have no hard feelings.” Wasserman has gone on to write (and receive credit for) music for America’s Next Top Model, among other shows.

According to Saban, 10 composers threatened to sue him for $1 million each. “Yeah,” he tells me, “and we settled for $10,000 a pop. They knew they had zero case. They were totally wrong.”

By the mid-’80s, Saban had begun dabbling not just in music but in the cartoons themselves. While in Tokyo on business, he saw a children’s TV show called Kyoryu Sentai Zyuranger. He paid $500,000 for the rights to air the program outside Asia and would spend the next eight years trying to persuade an American network to remake it, calling it Mighty Morphin’ Power Rangers. Later, he bought the TV rights to Teenage Mutant Ninja Turtles from the comic book’s creators.

“When I first met him, the license plate on his car, a brown Rolls-Royce, was rsktkr1,” recalls Cheryl. An author of self-help books, she remains, at 57, one of the greatest-looking women in Los Angeles. She married Saban in 1987, a year after becoming his assistant (though you might say she has married him three times—they renew their vows every 10 years).

In the summer of 1993, Saban finally persuaded the Fox network to put Mighty Morphin’ Power Rangers on the air. The campy live-action show, about five spandex-wearing teenagers who defend Earth from evildoers, was no Sesame Street. But it was an overnight success. Within weeks, it was the top-rated kids’ program.

Saban quickly used his new leverage to forge a joint venture with Fox. By that point, he had bought up 3,500 half-hour episodes of children’s TV, while Fox had the distribution channel, reaching 98 million homes. Saban, who ran the venture, called it “a natural marriage.” Believing (rightly) that 24-hour cable channels aimed at children were going to have the advantage over networks that only showed kiddie fare on weekday afternoons and Saturdays, he helped persuade Fox’s corporate parent, News Corp. to buy Pat Robertson’s Family Channel. The deal gave Saban a 50 percent stake in the new entity, called Fox Family Channel.

In 2006, once Saban had become a billionaire, the Israeli newspaper Haaretz dubbed him “a kind of Great Gatsby. Our Great Gatsby.”

But poverty would never be far enough away. Today, Saban keeps 10 percent of his total investment portfolio “protected—it generates the minimum interest that money can generate. It’s very secure.” Saban jokes that he’s created a new asset class known as N.P.A.

“What do you think N.P.A. stands for?” he asks. “Never Poor Again.”

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